Toro Y Moi – Never Matter (39 plays)
theparisreview:

“But how much is happiness conscious? I remember one time as a kid in high school running across the parking lot, and I just loved to run, but I didn’t think of it as happiness then. So what part of happiness is the awareness of it and what part is not even thinking about happiness, but just doing it? I think happiness has a little self-consciousness, but it’s weird because it’s enough to tell you ‘This is a moment’ but not enough to say ‘I want to preserve it and hold on to it,’ because then it stagnates and dies.”
An interview with author John Haskell, Dec. 13, 2011. Sparks Steak House, East Forty-sixth Street.

theparisreview:

“But how much is happiness conscious? I remember one time as a kid in high school running across the parking lot, and I just loved to run, but I didn’t think of it as happiness then. So what part of happiness is the awareness of it and what part is not even thinking about happiness, but just doing it? I think happiness has a little self-consciousness, but it’s weird because it’s enough to tell you ‘This is a moment’ but not enough to say ‘I want to preserve it and hold on to it,’ because then it stagnates and dies.”

An interview with author John Haskell, Dec. 13, 2011. Sparks Steak House, East Forty-sixth Street.

You know, we should just stick to things that make us happy.
Happy holidays everyone!
Photo by Gabby Cantero

You know, we should just stick to things that make us happy.

Happy holidays everyone!

Photo by Gabby Cantero

"Last Christmas I gave you my heart, but the very next day you gave it away."

Sylvia Plath
 
  

(Source: incorrectsylviaplathquotes)

Merry Christmas
Cartoon by Liza Donnelly for the New Yorker

Merry Christmas

Cartoon by Liza Donnelly for the New Yorker

Hard Truths From Soft Cats

Hard Truths From Soft Cats

"The face and limbs coming through the backdrop were something we discovered on the day by playing around on the set. The set designer, Andy Hillman, stood behind the backdrop to steady Marion on the rocky pathway of the rose garden where we shot, on the outskirts of Paris… as Andy braced her fall, I noticed how good the shape of his hands looked forcing through the rubber. Marion cottoned on to this quickly… et voila… the rubber man morphing through the rubber was created! It was genuinely a spontaneous development through playing around on the set.”
— Photographer Tim Walker on the making of an iconic shot: Marion Cotillard for W Magazine’s December 2012 issue.
Read more interesting magazine cover backstories in TIME Picks the Top Photographic Magazine Covers of 2012.

"The face and limbs coming through the backdrop were something we discovered on the day by playing around on the set. The set designer, Andy Hillman, stood behind the backdrop to steady Marion on the rocky pathway of the rose garden where we shot, on the outskirts of Paris… as Andy braced her fall, I noticed how good the shape of his hands looked forcing through the rubber. Marion cottoned on to this quickly… et voila… the rubber man morphing through the rubber was created! It was genuinely a spontaneous development through playing around on the set.

— Photographer Tim Walker on the making of an iconic shot: Marion Cotillard for W Magazine’s December 2012 issue.

Read more interesting magazine cover backstories in TIME Picks the Top Photographic Magazine Covers of 2012.

A$AP Rocky – Fashion Killa (199 plays)

Mommy in the Tom Ford, Poppy in the Thom Browne

Rick Owens, Raf Simons boy she got it by the stock

gpoy   

gpoy 
  

(Source: myhumaninteractions)


 You are just in another place, and not in such a deep grief as I am.
There is no limit to what I want to say and I stop here.

 You are just in another place, and not in such a deep grief as I am.

There is no limit to what I want to say and I stop here.

Kumi Yamashita’s Constellation

This body of work consists of three simple materials that, when combined, produce the portraits: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread.

Kumi Yamashita’s Constellation

This body of work consists of three simple materials that, when combined, produce the portraits: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread.

Eraserheads – Fine Time (299 plays)

I could take you to a film

Hunt for books and magazines

Is that new song out on sale

I think that dress is kinda pale

gpoy

gpoy

(Source: eunaoprecisodevc, via ohpatrick)